Folk music is a national, cultural or national music. Each such group has its own characteristics, including behavior, food, language, history, tradition, and so on. Music and dance reflect these aspects, and as an aesthetic, communicate with the soul. Folk music is almost like a language that tells about various victories, hardships, sadness, and other factors of survival, usually occurring for centuries. This situation has been passed down from generation to generation, without academic formalities, and often not in written form. But it is deeply rooted in the hearts of the people. It tends to apply to everyone, regardless of social status or class, so it is unique to its team, but it is unique.
The melody is usually very simple and may not exceed four notes. They are usually repetitive, have a very simple harmony, and have almost no modulation for other keys. However, some people may have complex rhythm patterns, such as West African and Indian folk music. These instruments are unique, but are very similar or even identical in the neighborhood, such as the Chinese Sanxian and Japanese shamisen. However, the essence of each cultural music has its own characteristics, just like language. Although each micro-region of a country or region has subtle differences, like a language and its dialect, each has its own unique nature.
Listen to traditional Persian folk songs, then Irish folk songs, or Mongolian songs, then Balinese songs. You will immediately notice the taste of each one.
Simplification does not mean that the artistic value of folk music will be lost. It has its own inner aesthetic value because it comes from the soul of people and is expressed in terms of emotion, spirit and meaning. It tells a story.
Many classical composers incorporate folk melody in their own culture into their masterpieces, such as Alexander Borodin [Russia] or Aram Khatchaturian [Armenian]. In this case, people can no longer see that piece of music as a folk music, but become a more refined creation. It is more refined and more secular, not localized. Its aesthetic quality is different.
However, some world-class classical composers incorporate folk elements of other cultures other than themselves into their own works. What we hear are the Russian, Chinese and Spanish elements that do not belong to the composers of these peoples. Inspired by a variety of melodies, creating masterpieces. Again, one must look at this from another angle.
A good analogy is Leonardo da Vinci's "last supper." This is definitely a work of art, but it is clearly inspired by ancient cultural phenomena. Despite this, it does not reflect the exact customs and aspects of this culture as folk art does. The figures for these works have Western European characteristics. The bread on the table is shown as fermented. These are the specialities of the artist's creation license, and may even be epoch-making mistakes. It immediately shows the work as one of the works of art, not just cultural works. The same principle may appear in music, just like any other form of art.
Folk music is one of the key essences of a person, and it is a kind of aesthetic beauty combined with culture. This has been extended to the main influence on international music, which makes it even more special.
Orignal From: The relationship between folk music and classical music
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