Vietnamese art is one of many artistic traditions that absorbs multiple influences without sacrificing its uniqueness. The history of Vietnamese art and painting tells a meticulously influenced story, especially the colonial China and France. Under these influences, Vietnamese art stands out from dormancy and has once again become the focus of attention, especially in France and other European countries. Viet Nam's lacquer paintings play an important role in maintaining the entire tradition of Vietnamese art and painting.
The history of Vietnamese lacquer art works dates back more than 2,000 years. Painted objects found in ancient Egyptian tombs date back to the 3rd and 4th centuries BC. The first example of a lacquer work in Vietnam was found in household items and goods, such as wooden boards on fishermen's boats, peanut home baskets and wickerwork, ornate gold-plated items, and mother-of-pearl inlaid in furniture. Later, traditional lacquer techniques were applied to painting, creating a new type of art. Initially, these lacquer paintings depict the beauty of nature, but as social and political contexts change, the colors of socialism and communism conceal all other themes. However, in the 1980s and 1990s, the younger generation of Vietnamese artists revived ancient art forms and introduced some innovative experiments.
Currently, in Vietnam, especially in Fushou Province, a large number of lacquer art is produced. The whole process requires careful attention and patience. In the province of Phu Tho, trees are collected from Rhus Sucedanea trees and converted into natural lacquers, which are then used in painting and fine arts. The traditional lacquer painting process takes at least 75 days and is very complicated. The lacquer painting is done on wood, and any enamel on it is first sealed with lacquer. Traditionally, paints come in three colors - brown, black and vermilion. The artists also use a new technique called chisel that provides a richer color combination and the same size and distance. Next, cover the wood with a piece of wood glued to it, cover it with the sap of the lacquer tree, and then cover with a layer of sap mixed with the soil. The board was sanded and recoated with a layer of hot liquid. The board is then polished to give a smooth black surface a bright sheen. Once the board is ready, the painter begins to express his imagination. He draws outlines and applies colors one by one to allow each coating to dry slowly. Polishing and cleaning are the final steps of the procedure and should be used with caution. These add brilliance to the picture. Years of experimentation have produced some great things. Vietnamese artists use plant ash, broken eggshells, gold and silver to embellish their work.
This kind of patience and hard work should be unique, which may be the reason why Vietnamese lacquer painting is becoming more and more popular and demanded today. The realistic themes are illustrated in many of the works of each historical period, convincingly confirming the expressiveness and inexhaustible resources of lacquer art. Vietnamese artists like Nguyen Sang, Nguyen Tu Nghiem, Le Quoc Loc and Sy Ngoc have made great contributions to the value and prestige of Vietnamese art and painting, especially the lacquer tradition.
Orignal From: Uncover the uniqueness of Vietnamese lacquer art
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