The bell ringing people... very late!

"I miss her more than ever..."
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Zara David said, then there was no words or gestures left to help the elegant lady, her hair was very good, almost white hair and shiny Anglo-Indian face, full of eyes The sound of tears and throat.
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This is a tribute from her daughter to her mother, who is also known as the mother of modern Pakistani art, Anna Morka Ahmed.

As a country, we have never shown great enthusiasm and enthusiasm for our elders, especially the elders who have left. Although this country is the product of countless sacrifices, constant efforts and dreams of those insomnia that we usually forget in our busy lives. With regard to change and indifference, modern Pakistan is adopting a country. Different deteriorating attitudes are a hot topic in every teacup conversation, related to social, political, moral, and religious dichotomy; we practice together without knowing the core causes and origins [or actually we don't want to know].

The art of Pakistan has always been cursed because they misunderstood anti-Islam practices and did not delve into and study the traditions of Muslim architecture, painting, calligraphy and decorative patterns in the past, which was once a sign of hype. The Umayyars and Abbasids of Arabia, Syria and Egypt caused great integration when they arrived in Turkey, Spain and Persia and many other places.

Like a free bird in a cage, Pakistan, in its early years after independence, had limited resources, scattered infrastructure, few academic institutions, almost empty pockets, and began its journey as a sovereign Islamic State. Punjab is the only institution that provides quality education for almost the entire Punjab province. On the other side of the Mall Road, the Mayo School of Art [now NCA] stands in the barren vision of art and craftsmanship, with the younger generation of skills injured. era

Although British colonial rule has undermined the roots of South Asian identity in terms of culture, personality, and language, nature has its own rules when nature draws on good things from the worst. In 1939, a London-born female artist came to India after marrying Desi man Sheikh Ahmed and converted to Islam, and then never returned after breaking up with Mr. Ahmed.
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Honorary Professor Anna Molka Ahmed, a painter, sculpture and design specialist at St. Martin's College of Art in London, is a passionate and motivated artist who decided to establish an art institution in Lahore and the cornerstone of the "Arts Department". After the efforts of the Punjab University. She started and established this institution in the early 1940s and opened the door for the entire generation of art students, especially the new country Pakistanis, to enter and establish Zubeda Javed.
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Colin David, Zulqarnain Heyder, Dr. Khalid Mehmood, Aslam Minhas and many others, later became the torchbearer of the future of art and design for NCA and PU.

"I miss her more than ever..."
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The words spoken by her own daughter in Anna's honor may have emotional aspects, but at the same time, as stated on the eve of the book launching ceremony at the NCA Auditorium, it forces the audience to think about why we were missing her. The last thirteen years.

In addition, this book about the life and work of Anna Morka is under a very poetic and warm yellow heading.
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Marjouri Hussain's "The Sun shines in my windows"
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After Babar Ali's mild account, this is just Anna's second effort.
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NCA's Research and Publication Center [RPC] has been fully evaluated to commemorate the founders of art institutions that most modern art students are not familiar with.

The award ceremony was started by Dr. Durre Sameen Ahmed, Director of RPC. When she thanked the participants, she briefly introduced the book and invited the head of NCA Ms. Nazish Atta Ulla to give a welcome speech.
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Next to the principal, Salima Hashmi, the former principal of the same institution, shared her sweet memories of her childhood in a very reflective and story-telling manner, mainly composed of two non-Asian women, her mothers Alice Faiz and Anna. . Molka. The smiling Salima shared the smile with a lot of jokes about Anna's understanding of the Urdu problem and a few jokes. She mentioned that Anna's concept of 'Gadda'[mattress] and 'Gadha'[驴] is unclear; eventually leads to interesting expressions such as "putting the dice on the bed".

Zarrar Heyder Babri, whose paper is also a description of personal memory, revolves around a few words that Anna introduced to him, which removes the consideration of life in a real form.
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"This art makes life valuable." Babri attributed this sentence to the essence of his efforts to achieve life goals in the art world.

Anna left one of her two daughters, Zara David, at the moment of commemorating a great painter, because she would see the harsh reality and moments her mother alone handled in a distant country alone. She also revealed Anna's love of art because she always thought that the art department was her first child, and her daughter ranked second. Zara's face was full of vivid emotions, and she also talked about her mother's first collection of poems with 52 poems.

Zubeda Javed, former president of the Fine Arts Department at Punjab University, recalls Anna's rigorous but concerned attitude. This attitude is not easy for students, but it is actually a teacher's deep concern for the future of the students.

Finally, the author of the book, the famous art critic and historian Marjouri Hussain. She quoted some of Anna's later life in a precise way, when she was unhealthy, and even more so, she cared more about her work than her health. Marjouri also mentioned Anna's dissatisfaction with the Pakistani nationality's uncooperative and collective attitude towards any artist, and Marjouri cited it as "a bad attitude."

After the ceremony, Anna Morka's original paintings, sculptures and slides of unmanned works were opened.

There is no doubt that the NCA Research and Publication Center has done a good job by publishing serious research and written reports on Pakistani art and artists. This is the 14th book, ranked third in the Pakistani or South Asian Masters of Arts and Crafts. But the number of participants at the awards ceremony reached 34, which is incredible, because only the teachers who are considering are able to get more than 100 on the NCA, and the College of Art and Design at Punjab simply Multiply this by two, Anna gave her life.
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She once said that
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"The beauty of life is in stark contrast"

But I think the contrast should only be within the framework and refer to the color, not the attitude!

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Orignal From: The bell ringing people... very late!