Literally translated, pate-sur-pate is French for "paste paste". This describes the method of making head and neck pottery: porcelain is decorated with reliefs, which are made up of several layers of liquid clay called slips, which are applied on unfired and unglazed bodies using a brush. Each layer is carefully painted and dried before being coated with another layer. The pate-sur-pate pottery is considered to be one of the most beautiful ceramic inventions of the 19th century.
History has proven that the head and neck technology was known in China in the 18th century. In the 1850s, the French ceramists at the National Film Studio were inspired by Chinese vase decoration and tried to replicate it. However, their efforts have produced different results for the birth of different types of pottery. In the 1870s, a talented artist named Marc-Louis Solon was discovered by the artistic director of Sevres. Solon accepted it, applied it to parian and refined its technology to produce the head now called the head and neck. During his time at Sevres, he also made a product called Miles, and you can see the initial "MLS" marked on them.
However, soon, due to the French-Prussian War, Sauron had to seek refuge in England. After arriving in England, Solon's skills as an artist and designer allowed him to contact Colin Minton Campbell of Mintons Ltd. of Stint-on-Trent. Soon, the demand for head and neck was growing, and Solon was awarded a British apprenticeship. Several other British pottery tried to reproduce the same pottery just to be constantly surpassed by the quality of Minton's merchandise. Pate-sur-pate continued to be popular until the early 20th century, which was the time of the golden age of the pate-sur-pate. After that, Mintons began to be interested in other types of goods and reduced the production of head and neck pottery. In addition, Solon's son, Leon, is more interested in the Art Nouveau movement. When Solon died in 1913 and at the beginning of the First World War in 1914, Pate-sur-pate finally lost its popularity.
In the next few years, Mintons continued to produce small amounts of head and neck, albeit in small quantities. Due to the lack of capable artists, its production has become difficult - many Solon apprentices have passed away. However, in 1992, one of them, Alboin Birks, regained the use of universal pottery using devices that made production faster and cheaper. Some people claim that Birks works better than Solon. However, Solon's process is still considered the standard for the head and neck.
Later, the French pottery artist Taxile Doat brought brain pottery to the United States. It is then produced in Missouri and Ohio.
Some examples of headgear pottery are plaques and vases decorated with cherubs and girls.
Orignal From: Pate-Sur-Pate pottery story
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