Thursday, May 2, 2019

Music theory - parallel of different forms of classical music

Just as a parent can have several offspring, any parent can have multiple scales or bins. Raga is just a combination of several notes/tones/wards. They have the essence/flavor and characteristics. Each raga or scale has a different taste and quality.

In theory, countless scales can be derived, but virtually no one can fully absorb all of them. For the centuries, the fifth scale has been an important yardstick for Chinese and Japanese music. But what's interesting is that the same scale also exists in Western and Indian classical music.

However, these great music systems have not blamed or accused each other of plagiarism, and there are countless countless songs and music, the scale is fifth. Technically, it is a pentad/raga from Major Scale / Bilawal / Shankarabharanam. This scale / raga is beautifully known as Bhoop / Bhopali / Mohanam and is classified as Audava-Audava / Oudav / Raagam due to its five-voice [5 note] structure.

This continues to prove that music is indeed universal. In several forms of music, only notes are interpreted and used differently. Western classical music emphasizes a set of notes and harmonies between notes. However, Indian music is more focused on decoration, oscillation, vibrato and decoration and even individual notes.

But with the development of styles such as sliding, sliding, shredding, and tapping, the gap between various forms of music is rapidly shrinking. Every country uses instruments from around the world. An important factor behind the globalization of music is the emergence of popular music forms - electronic music.

Unlike classical music, scales derived from parents or larger scales are strictly classified according to permanent features; genres and sub-genres in Western music are classified according to small differences in game style.

A good example is - junk metal that sounds useless due to excessive use of sputum is separate from the metal of the groove using a power chord or a dead metal pointing to a specific groove, which makes it easier to absorb Toms, double bass kicks and changes Time signature. Mathematical metal is not much different, except that it stops changing the time signature too often.

All of this stems from a wonderful understanding that all types, styles, and musical patterns will definitely reach the same music. They appear and disappear from the same 7 notes, and there are countless frequencies between each other.




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