10 striking Japanese porn Shunga Prints Portraying' Barbaric' Stranger

Few 18th and 19th century Japanese traveled abroad and returned fewer people, so they can only interact with strangers in their own hometown. Nagasaki has a fairly international atmosphere, some of which are Chinese and a limited group of Europeans and their enslaved Indonesian servants. from

Shunjia from

 [Erotic print] Fans are interested in these tenants, and everyone is depicted [although the frequency is different] images and stories. The following ten are colorful and compelling examples [no special order]:

10] Chkykyssai Eiri [Act 1789~1801]

This Eiri design comes from him from

Calligraphy model [c.1801] from

 Inspired by Utamaro's masterpiece [see 2] from

Utamakura [pillow poem] from

 There is also a Dutchman [probably the Dutch captain] who is associated with a Japanese name. These prostitutes are called from

High head from

 [' those who go to Dutch] instead of from

Karaji from

 [' those who go to China'] and from

Japan, snow from

 [' Those go to Japan '].

The incense burned on the table next to them. Some Japanese think this is necessary because these red-haired barbarians have an interesting smell, but in fact these incense burners are skillfully sold by Yotsumeya, a shop specializing in sex products as an enhancer of sexual desire. This design is strikingly influenced by the influence of the West, emulating the tonal effect of Western copper engraving.

9] Yanagawa Shigenobu [1787~1832]

In this difference from

Surimono from

 [Delegated] Print [about 1830] Shigenobu portrays his protagonist, a Western couple, in a paradise-like environment, a woman like a god [a woman is very beautiful]. Under the genitals of women, vaginal fluid is collected on the plate. The inevitable incense burner on a small table is in the background.

8] Keisai Eisen [1790~1848]

This design comes from the series of Keisai Eisen from

' Midare Gami [chaotic/entangled hair]' from

 , C. In 1817, it depicts the coupling of a Dutchman to his wife, one of the early applications of the tint effect of Western copper engraving. from

Shunjia from

 . Equally striking is the rich color palette of women's clothing.

7] Kitagawa Utamaro [1753~1806]

Utamaro [1790s] presented a very early Western love for Japanese names. The comic details are the subject of the Dutch green suit, which also appears on his penis, while the pubic hair leaves his hair on his head. As in Eiri's design [see No. 1!], this European stranger has long cat-shaped nails on his hands.

6] Katsushika Hokusai [1760~1849]

Famous person from Hokusai from

Young pine seedling from

 -series [c.1814] describes a couple of Chinese couples collecting vaginal fluids in ladle. The man wears a ring around his penis from

Namako no wa from

 . I believe that Western strangers, Chinese and Europeans, are very keen to collect vaginal fluids for medicinal or other purposes, and are very popular in Edo [now Tokyo] Japan.

5] Yanagawa Shigenobu [1787~1832]

This is a composition of a Western couple. from

' Willow Storm ' from

 - The series, unique in the shunga in the late 1920s, not only because of the theme, but also the attempt of the shadow, most likely to imitate the Western copper etching. Interestingly, it is speculated that the Western example that was circulating in Japan at the time would provide inspiration for this print. Maybe they are prints based on drawings from the 8th century or later. from

Il Modo from

 Author: Giulio Romano [1499-1546].

4] Yanagawa Shigenobu [1787~1832]

This truly amazing shunga is typical of the print design in the Shigenobu album. from

Willow storm from

 . It represents a known event in the work of Katsushika Hokusai [see No. 6] - to obtain vaginal fluid. The woman's feet and curly scorpions on the man's head emphasized their Chinese heritage.

3] Utagawa Kuniyoshi [1797~1861]

a small from

Coban from

 The [small] print from the Kagawa School [probably Utagawa Kuniyoshi] published c.1861. The square whirlpool in the upper right corner shows St. George's British flag, with a steam behind it, usually from a steam engine. Three fully dressed foreign girls interacted with a Japanese man, and the negative negative [white-gray] text in the lower left corner read, "Not too much, can't I take a break?" [Lane and hayashi 1995-98 / 2000: Supplementary Volume 1, 132]. Although this print relates to from

Shunjia from

 The design of its description is not clear; it is only a subtle hint of one of the female pubic hairs.

2] Kitagawa Utamaro [1753~1806]

In the image of this rather unlovable private Dutch couple, Utamaro portrayed the man as a rude barbarian [the hat suggests that he might be a captain], almost like a cannibalism. Or as described by Timon Screech from

'Sex and Floating World' from

 : "... Although wearing costumes from different eras, but a seadog that looks like a woman of her own ethnicity." This oban print is from Utamaro's from

'Pillow Poetry' from

 - Series [c.1799], considered one of the most important highlights from

Shunjia from

 with from

Ukiyo-e from

 .

1] Keisai Eisen [1790~1848]

A Westerner walks through the sleeping prostitute, her head lying on the salon table. In front of the couple on the floor, there is a pouch containing a female aphrodisiac from

Nyoetsugan from

 . This one from

Egoyomi from

 [Calendar printing] Designed to print a variety of colors and pigment details, published in the 1810s, and thanks to the artist Keisai Eisen [1790-1848].

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