The story of the collaboration between Indian and Western music is not very old for Indian music. The fusion became a genre in 1955, when Sarod Maestro Ali Akbar Khan performed with Western musicians in the United States. In this era, various other legends, including Ali Akbar Khan and Alla Rakha, also collaborate with Western musicians.
In the 1960s, the great sitar player Pandit Ravi Shankar occupied the stage of Indian fusion music. Pt Shankar and Bud Shank began discussing jazz music and traditional Indian music. This trend of Indian fusion music has been appreciated and adopted. As a result, George Harrison played "Norwegian wood" on his sitar in 1965. After this trend was imitated by some artists and bands including Miles Davis, there were Bihari Sharma, Badalroy, Rolling Stones, Strings and so on.
In the mid-1970s, John McLaughlin's orchestra "The Mahavishnu" pursued two essential elements of Indian fusion music, integrity and truth. In the process, John also worked with legendary artists such as L. Shankar and Zakir Hussain. In this way, in the late 1980s, the trend of Indian fusion music captured Indian-British artists.
However, in the new millennium, the United States began a new trend of integrating Bhangra music with Indian cinema. The great filmmaker Satyajit Ray of the Indian film industry is also committed to bringing classical music to the limelight through the pop music of his past works, composed of great artists and singers Vilayat Khan and Ravi Shankar.
For the first time in the history of Indian fusion music, Vishwas Mohan Bhatt, the great Grammy winner, performed jugalbandi in collaboration with the famous Chinese erhu performer Jei Bing Chen. This is a master of history of the fusion of Indian and Chinese music.
Therefore, with the help of vocals and musical instruments, Indian fusion music is becoming more and more popular, highlighting the multiculturalism and globalization that music lovers around the world love and appreciate.
Orignal From: Important facts about Indian music fusion
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